Posts Tagged 'blue.'



How long does it take to make a stained glass window?

I am always being asked how long my work takes to make, so I thought I would document the process on a straight forward piece, a front door panel for a house in Sidmouth, this is a straight forward panel with no etching or painting involved and is 63 x 63 cm. I worked from 9.15 to 3.15 yesterday with 30 minutes for lunch, and probably another 30 minutes of faffing! In that time I marked out my cutting pattern (full size cartoon of the finished design) and altered bits I thought did not balance properly/slight ajustments to fit the size of the glass etc. Then I took a little break from it to do another drawing/get the kiln going for other work. I always leave a little break between making the cutting pattern and cutting so I can take one last look at it…….then down to cutting the pieces for this large front door panel

This slideshow requires JavaScript.

Advertisements

Fishy sky lights

I have just got back from installing 2 sky light panels to a wonderful apartment over looking the sea in Sidmouth

. My client’s dislike of their dull velux windows in the kitchen of their open plan living area

led them to contact me. The apartment is a large, light modern

building and I took inspiration for the designs from the artwork and pottery around the home. I did a range of designs, from beach huts reflecting some paintings in the lounge to fish inspired by some fabulous pottery.

I have used a very limited pallet of colours in the panel, but there are 10 different types of glass used in the panel in total as I have used a wide range of textures and translucencies. Some of the glass is almost opaque and uses lovely hand drawn yellow/orange and light blue glass and some has quite a deep textured pattern (glass makers call this a hammered surface) the range of textures will make wonderful coloured reflections on the floor and walls. Each fish has an eye made of white/black flashed glass which I have etched with an etching pen and acid etching creme which I have then stuck to the surface of the glass with glass adhesive to give an extra sense of depth and a playful touch.  The panels are fixed to the inside of velux windows with special stained glass fixing clips especially designed for this job and the windows have really lifted and brightened the space without overwhelming the room. Special thanks to my Dad (as usual), who very kindly fitted them for me!

Going down Memory Lane

When my old school friend Wendy asked me to commission a special piece for her Mum’s birthday I was only to happy to oblige, especially having discussed the subject, Happisburgh on the Norfolk coast. This fast disappearing village was where I spent many a happy childhood day on the beach and as a teenager camping on the cliffs (I believe the campsite has all but disappeared now, reclaimed by the sea). The lighthouse thankfully still very much on dry land, keeping ships safe from the cliffs and sand banks and it is this landmark that I turned into a panel.

They were very pleased with it and said, “….it looks fabulous! Hopefully mum will be over the moon…Thanks everso much for doing this, its really special.”

 

A very English Mermaid

I have just finished a front door transom light for a lovely family in Exmouth. They have been renovating their Victorian terrace and my design is one of the finishing touches. The brief was to create a mermaid panel with some turquoise and to blend with the decor of the house. The mermaid was to reflect the British coast, with cool colours and also still let light into the hall way.

I used a range of Spectrum and cathedral glass for the window, using the textures and patterns of the glass to add a sense of movement to the piece and I acid etched tiny sea life into the mermaids hair and the rocks at the bottom of the sea. The mermaids limbs were cut from opalescent glass with an iridescent sheen, which gives her an extra magical glow.

The main challenge with the panel was fitting the detail into a very long, thin panel and I kept the lines as simple as possible.

This slideshow requires JavaScript.

Making, making, making!

Christmas totally desimated my stocks, which was brilliant, and now I am trying to get my stock levels back to normal with a little making frenzy….its easier said than done though! I work around my children, who are on a rolling cycle of illness  and I have a wonderfully full schedule of commission work to do.

But I have managed to make a new shoal of acid etched fish, they few off my craft stall in the run up to Christmas and I am listing some in my folksy shop and sending the rest to Spinnakers Gallery, Credition and Atelier, Barnstable.

I have also made another batch of my ever popular bottle top rock pools and these too will find their way to the various galleries I sell to!

I have started working on some etched valentine hearts and some new small leaded panels with etched vintage fabric design patterns on them, which have come out very nicely……….watch this space!

A big feature in a lovely glossy magazine!

I am enjoying a small moment in the lime light today as I have 4 pages of feature in the gorgeous Making Magazine (Guild of Mastercraftsmen). I have writen them a brief history of the development of stained glass, a walk through of how to make a stained glass panel and a copper foil project for readers to make themselves. The February edition of Making is available in newsagents currently and there are lots of interesting articles and projects to do in there (as well as mine). The general theme of this edition is light.

This slideshow requires JavaScript.

A Moorland Scene for a Peak District Home

I was contacted recently by a customer on Folksy who wished me to adapt a previous Dartmoor design she liked to fit an internal window in her Peak District home. Having had a bit of time off over Christmas it has been great to get back into the studio and get on with a new project. As this is adapted from an existing design it has been a straight forward process. I have used Spectrum wispy amethyst and a range of cathedral glass, 10 mm lead came for the border and 5 and 6 mm for the internal lead work.

First of all I cut the glass using a glass cutter and ensure all the pieces fit within the lines of the cutting pattern.

I then build up the window by cutting the lead came to size and building up the panel, using horse shoe nails to hold it all tightly in place.

Once I have soldered all the lead joins together with solder I cement the panel by pushing lead cement into all the gaps in the lead came, this is quite messy work and my least favourate part of the process. The white powder is plaster of  Paris, used to soak up the liquid in the cement and act as an abrasive to remove the cement from the lead came.

Once the cement has dried and all the excess cement has been removed I wash an acid patina over the panel to darken the solder joints and once this has been washed off I give the panel a good polish with grate polish.

Then the finished panel is ready to pack up and send off to its new home.


I am a stained glass artist working in Exeter and a busy mum of 2; trying to carve a path through the tide of washing and children's toys that stands between me and making beautiful things.

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 54 other followers

Folksy

Etsy mini store

Flickr Photos

Twitter Updates

Bottle Top Rock Pools

small recycled stained glass heart

Large recycled stained glass hearts

Mixed Media Mosaics using waste glass and old costume jewelery

boats in the harbor

Moroccan Panel

Brays Torr from the River lydd

art deco fish

paperblog

September 2019
M T W T F S S
« Nov    
 1
2345678
9101112131415
16171819202122
23242526272829
30  
Advertisements

%d bloggers like this: