Posts Tagged 'interior design'

Contemporary Stained Glass Panel to transform an internal space

I have just installed a window into a family home in a village just outside Exeter which is currently being renovated. The panel is over 1 metre wide and serves several practical and aesthetic uses to the home. The window is an internal one and lies between the light, bright porch and the darker dining area in the kitchen and so I used lots of clear glass to allow the light through. Although the glass is clear it is waterglass as it has a great ripple which casts shadows like water ripples and it is also irridised to give it more impact. The commission brief was to create a simple, striking centre piece to compliment the entrance porch and the kitchen diner.

The panel has 3 main elements; 2 of the panels are photographs fired onto the glass, these are of the clients children and the other a significant landscape to them. The central panel is made from small pieces of recycled glass fused together into a panel in my kiln and then fired again once I had painted on the intricate fern design.

The colour scheme is simple, grey, yellow, turquoise blue and mauve glass surrounded with a clear irridised glass. This colour scheme mixed with the strong images gives the panel a really striking effect and makes an excellent wow factor as you enter the house through the front door.

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From Dull Downstairs Toilet to Enchanted Forest

arch window with red tree - Copy

I have just fitted this panel into a large downstairs toilet window, replacing the ugly textured glass that had been there since the 1970’s.  The house is a listed lodge in Higher Cemetery near my home in Exeter and was once the grounds keepers cottage; now it’s a family home. It was built in the Gothic revival style so popular at the time by architect Edward Ashworth and is great, quirky old building.

The panel needed to obscure the person sitting in the loo, have natural details and a large central tree; the clients love green and the panel has a large green border of streaky green glass which gives the small room a green hue, like you are in a forest. I have lino cut printed ivy leaves onto the bottom corners of the panel and the central landscape is packed with painted detail of grasses, leaves, animals and birds. It was quite a challenging window as it is a very big window in an extremely small room, so you see it from very close up, which is quite unusual for such a large, grand opening!

Home improvements, home coming and a new project for Open Studios

My family and I escaped the long over due building work on our house last week and travelled to Norfolk to meet my new niece for the first time and we had a lovely week in the sunshine with my family. I have not been back to my home county for over a year and I forget how much I love the dramatic wide sky’s of the flat countryside.

We have returned to a house of dust with no gas or hot water (in fact not even a kitchen sink!) but it will come together fast in the next couple of days. The finishing of the kitchen is down to me and over the Open Studios fortnight (3-18 September 2011) I will be making fused glass tiles to go on the walls and a stained glass panel especially for the specially made opening in the wall. Visitors to my studio can watch my progress with both projects and you can follow my daily progress here, as I will be posting daily during the event with photos of the process.

 

Getting stuck into something big!

Way back in Autumn 2010 I started discussing a large window commission to be fitted into a double glazed unit for a family in Cambridgeshire, first the glazer was busy, so they missed their slot with me and since then I have been flat out with other projects. They have been very patient and finally I have made a decent start on their piece!

The brief was for a design based on their favourite spot, Crackington on the North Devon coast to fill a large window looking onto a large porch/conservatory from the dining area of their home and bring some colour into their house.  As soon as I saw the place sketching out designs was very straightforward, it is a gorgeous spot and I hope I can capture the mood of the scenery there. I always try to capture the spirit of a location, photo-realism is not my aim. The design was agreed last year and then put on the back burner, which gave me a little bit of an artist block when I came to start cutting the glass, I knew the landscape needed a border but what that border should be has been alluding me for sometime! However, whilst looking into the shell framed mirror in my bathroom today inspiration finally came and I rushed off to my workshop to get going. The border is to be made entirely of different textured clear glass with lots of acid etched shells, seaweed and other sea life and today I painted all the PVA glue onto these pieces to act as a resist to the acid and acid etched in the flowers and grasses to the hillside in the foreground of the landscape.

It is a big panel and I have a small workshop, so I had to stand on a bar stool to get a shot of the whole panel! The colours of the glass do not show up well or true on the white background of the cartoon, but you can get a rough idea. Anyway, there are some photos of the panel so far, painting on the designs and acid etching them.

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I am a stained glass artist working in Exeter and a busy mum of 2; trying to carve a path through the tide of washing and children's toys that stands between me and making beautiful things.

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