Posts Tagged 'purple'

Stained Glass Fish Window for a Bathroom

stained glass window shoal of fishThis large panel has just been installed to further obscure a large bathroom winstained glass painted fish detaildow; I make lots of windows for bathrooms and toilets and it is a great place to put a stained glass window as it adds privacy and interest to small rooms.  At just over a metre square its a striking feature which is visible through the bathroom into the upstairs landing. The window has been fixed in front of the existing textured double glazed panel and really livens up the space. All the fish are made with iridescent water glass and have been hand painted and kiln fired. The panel is leaded using traditional techniquesstained glass fish window shoal of fish, blue green yellow

Mezzanine Mountain Window

contemporary stained glass panel with fused glass detail This panel was created for the first floor mezzanine window of a beautiful new build contemporary mountain stained glass window house in Exeter. On the first floor it is at the end of the corridor, resting on the floor. From the ground floor it is visible high up on the wall of the downstairs study.

The panel gets lots of natural and artificial light at different times of day/night and will hopefully be dramatic in a totally different way at night, when the reds and yellows will be picked up more on the first floor. and the design was inspired by the client’s love of mountaineering and the strong, warm colours of the landscape of the Himalayas. The strong colours look great against the white walls and is a mixture of mouth blown Polish glass and Spectrum glass of varying textures. I created the effect of the sunrise bouncing off the mountain side by painting ground up glass (frit) onto the mountain pieces and then firing them in the kiln, to fuse with the streaky glass base

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First I cut the glass

 

 

Then I paint ground glass onto the pieces of glass and fuse them in the kiln. My first attempt I fired it too hot and although I loved the effect of the fused glass the pieces had changed shape too much to fit into the leaded panel and I had to both redo this and rethink my design a little.

 Once I had got the fusing right I was ready to lead up, cement and fishing the panel as with any traditional stained glass panel and then it is just a case of fitting it into the window frame.

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3 different endings, all starting with the sea

Oh dear, I totally gave up on my blog a day! whoops. But that is because I have been double busy the last few weeks. Open Studios ended well with over 100 visitors, but now its over its straight into the pre Christmas frantic stock making! I have however, finished some bigger pieces and this is what today’s post is about!

I finished the children’s mermaid panel, which has proved difficult to photograph well cos its so long, but I am really pleased with the finished piece and the reflections all the painted and etched fishy details throw on the floor.

I am also really pleased with my new exhibition panel, based on teasels on the sea front at Branscombe beach in Devon. The painted details have come out really well as has the unconventional pebble shaped border.

Finally, I installed an abstract panel this evening in a bathroom/hallway internal window space. The design brief was to create a piece inspired by images of the patterns of rocks on a beach in North Devon. I devised an abstract panel following the lines of the rocks patterns and incorporating lots of sea glass (broken glass tumbled by the sea and picked up on local beaches. I mixed this glass with baroque glass and water glass to give some texture to the piece and some wonderfully delicate antique green salvaged glass with wonderful bubbles and slight variations. The finished piece is quite subtle and the colours match the interior decoration well. I think it has been very successful, I left the new owners gazing at it in the hallway, so I think they are happy too!




Trees, fields and grasses in glass!

I have just completed 3 panels for Newton St Cyres Manor House. The massive stately home has been converted into generous apartments with huge windows allowing light to flood in…perfect for stained glass windows! My brief was to create panels for 2 doors, the owners enjoy nature and the extensive grounds of the building ; so I started by taking photos of the shared grounds and local landscape. The first panel was a small piece to go into a newly carved oak Arts and Crafts style front door (created by local Master Carpenter Adam Bishop who I have worked with before) and then 2 panels for the large internal hall door (the half panels are over 1 metre long).

I was struck by the history of the house and I wanted this to be reflected in the windows;Newton St Cyres has a wonderful arboretum with a special bridge from the house to the gardens and I wanted this reflected too.  Reading the history of the Manor house, which goes back to medieval times, I was struck with the importance of wheat and trees in the rise and decline of the houses fortunes and my theme was chosen!

The front door panel is only small and I wanted to create a piece that would really make a statement, like a small jewel and so I chose vibrant colours for the oak tree motif, using orange and red water glass to give a sense of movement to the branches. I painted the detail with traditional kiln fired glass painted and scraped the paint off to create the texture and detail of the tree trunk.

The internal panels are much larger and the clients liked the idea of grasses bending towards each other, so I created a panel based on the rolling hills of the surrounding countryside. I once more used the paint scraping technique to add the details to the seed heads of the grasses and the finished pieces are very effective!

A special commemorative piece

I have just finished a very special piece for a family who have had to cope with the horrible loss of 4 babies. If I am honest I found it quite hard to get started on the panel as I am a mother myself and the reality of such loss is quite overwhelming. However, meeting the clients to discuss the options really helped and I hope they are pleased with the finished design. 

The brief was to incorporate the children’s names and the motifs of tear drops and butterflies. The clients chose the glass and we tried to incorporate the children’s birth stone colours.

I decided on a free flowing shape edged with bubbles and with a sense of movement. The clients decided on a flow of stars and butterflies running through the panel and they love colour (I understand their house is very colourful and original!)

Firstly I cut the glass, then painted the design, I initially wanted the paint work to be subtle but it was getting lost in the streaky cathedral glass so I went for strong, simple lines so the design would work at a distance. Once fired I leaded up the panel, as I didn’t use the traditional right angle straight line template I had to use a lot of nails and a bit of ingenuity to create the shape.

I really hope that the family like the piece and that it honours the memory of the children and helps them move into the future.

Happily the family includes children who are very much alive and well and doing their bit for charity; have a look here if you would like to help him raise money for charity www.justgiving.com/Charlie-Millard

Please excuse my photographs, my camera seems to be loosing the ability to focus!     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Getting stuck into something big!

Way back in Autumn 2010 I started discussing a large window commission to be fitted into a double glazed unit for a family in Cambridgeshire, first the glazer was busy, so they missed their slot with me and since then I have been flat out with other projects. They have been very patient and finally I have made a decent start on their piece!

The brief was for a design based on their favourite spot, Crackington on the North Devon coast to fill a large window looking onto a large porch/conservatory from the dining area of their home and bring some colour into their house.  As soon as I saw the place sketching out designs was very straightforward, it is a gorgeous spot and I hope I can capture the mood of the scenery there. I always try to capture the spirit of a location, photo-realism is not my aim. The design was agreed last year and then put on the back burner, which gave me a little bit of an artist block when I came to start cutting the glass, I knew the landscape needed a border but what that border should be has been alluding me for sometime! However, whilst looking into the shell framed mirror in my bathroom today inspiration finally came and I rushed off to my workshop to get going. The border is to be made entirely of different textured clear glass with lots of acid etched shells, seaweed and other sea life and today I painted all the PVA glue onto these pieces to act as a resist to the acid and acid etched in the flowers and grasses to the hillside in the foreground of the landscape.

It is a big panel and I have a small workshop, so I had to stand on a bar stool to get a shot of the whole panel! The colours of the glass do not show up well or true on the white background of the cartoon, but you can get a rough idea. Anyway, there are some photos of the panel so far, painting on the designs and acid etching them.

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Scottish window finished

I got my first peak at the finished window yesterday, what do you think?

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I am a stained glass artist working in Exeter and a busy mum of 2; trying to carve a path through the tide of washing and children's toys that stands between me and making beautiful things.

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