Posts Tagged 'window decoration'

Windows inspired by Derbyshire

p1020198

I have just finished three panels were commissioned for a house near Malborough, in Derbyshire and they will sit next to each other horizontally. The family love the rolling hills, dry stone walls, sheep and fields of vegetables in the local area. The left hand panel shows their own house, the middle a view of the local market square and the right hand panel incorporates sheep drawn from their own photographs. Other personal symbols are included, from flying geese to small rabbits to entertain their grand children.

The panels are for an internal wall between the kitchen and the dining room, the limited colour palette fits with the kitchen colour scheme and they will bring interest, light and colour into a restored country cottage. They are made using traditional leading techniques and I have painted the glass with traditional kiln fired glass paints.

 

Aloha Teignmouth!

Aloha Teignmouth Stained Glass Hibiscus flower Having relocated 12 miles from Exeter to South Devon last winter it is amazing to have our first summer in our seaside house!  I am finally back into a good work routine (these things are so dependant on the delicate family/ life balance) and I am preparing for a packed summer of shows and exhibitions!

stained glass hibiscus flower red and yellow paintedThe new house and my exhibition schedule have crossed over in a serendipitous way and I am making some panels which just so happen to be the right size for windows inseaside stained glass our house, so I can install them at home after they have been on tour.  Aloha Teignmouth has been designed for my kitchen door. We live in a 30’s semi with original internal doors and these doors have lovely proportions; but I cannot live with the existing frosted glass and view of the recycling boxes behind (what self respecting glass worker would) so I have made this homage to all things Hawaiian and tropical. This playful panel is intended to liven up our white and black kitchen scheme, obscure the less attractive aspects of modern life from indoors and is a great chance for me to work ‘off brief’. The view of the cliffs and beach huts in the background  of the panel is the view out of the main kitchen window; I do like it when I get to reference the settings of the windows in some way, windows after all are part of the houses architecture.

The outside world keeps on turning and Gloss Gallery summer show is already up and running, which I am pleased to be part of and as the summer holidays grow nearer I am feverishly working on my recycled sculpture for TRAIL 2014 and working towards my first Devon Open Studios in Teignmouth, I will be stained glass door panel 1930ssharing the TAAG gallery with 3 very talented artist friends and we are all working on new pieces for that.

stained glass beach huts detail

Anyway, the sun is shining and recycled washing machines do not turn themselves into sculptures, so I will head out into the Sunday sunshine.

Four little birds to give away!

glass bird decorations

handmade glass birds

I have had these little fella’s hanging around in my studio for ages, they are lovely, but a bit too delicate to sell. But enough of my friends and customers have commented on how much they like them for something to happen to them; so I have decided it is give away time!

The birds are made from green and kingfisher blue glass painted with copper paints which have been fired in the kiln and they are edged in thin lead and have little wire feet and crests soldered on. They will look great hanging on a tree or in a sunny window, but they don’t like to be bent so need to be treated a little bit carefully!

handmade glass birds

To win one of these all you need to do is follow me on twitter and tweet about the give away or follow me on Facebook and share this blog post. I will pick 4 winners at random (I usually get my 4 year old to point at some lucky likers/followers) on the 1st December 2012 so they will be with their new owners before Christmas!

Good luck!

Cementing and Soldering Stained Glass

Open studios rumbles along and I have spent my day cementing and soldering.

acid etching stained glassMy big glamorous Art Deco door panel is now cemented to make it weather proof and we have to wait a couple of days for that to harden off now…

My acid etched panel is coming on nicely, the patterns have come out very well.

I have almost finished a birthday commission Love Bird piece

Oh and I have a new panel with fused bird inclusions and lino cut prints ready to be framed now! 

Strange fact of the day = ALL  my visitors today for Open Studios do glass as a hobby or are students of glass (as we all are of course!)

There is still lots of time to come and see me, click here for details of opening times and so on.

This slideshow requires JavaScript.

 

 

Open Studios Day 6:Bubbly and nibbles!

Had a lovely day today with 25 visitors, most of whom were are friends and were lured by the bubbly and a good look at my new kitchen! (In fact people we know really well totally bypassed my work and rushed straight through to see if we finally had a functioning kitchen!)

I managed to get my raindrops sculpture up in the garden this morning and spent the day threading the raindrops back on whilst chatting to everyone. I also managed to apply the etching creme to the glass I painted with PVA resist yesterday…sadly my camera is still not cooperating and so no photos, better luck tomorrow I hope! There wasnt time for much else as we had lots of people come round today, which was wonderful, the sunshine even came out for us! Ulrika (the ceramicist in my gazebo!) also managed a full day, which when 36 weeks pregnant is no mean feat!

There is still a whole week of Open Studios to go, so plenty of time to come and say hello!

Open Studios day 5

Had a super dooper double productive day today! I started by cutting 6 small landscape panels and painted the PVA glue resist onto these in preparation for acid etching them tomorrow. I then emptied the kiln from the overnight firing and my painted details for the mermaid panel had come out lovely, I painted the PVA resist on to this panel too, which will be lots of small shoals of fish. I had hoped to get the etching creme on the panels today but the PVA glue had not dried and will have to be left until tomorrow.

I then went on to cut 4 small Winter Village scenes, ready to be painted soon and tried to repair a beautiful teasel panel I have already broken twice and managed to break it again (its like someone is trying to tell me something). I finished off a large winter village scene incorporating painted and fused glass, but my camera is now refusing to focus, so I have no photos of it today!

We had 5 visitors today, which brings us up to 30, please come and say hello if you are in the area, we are open until the 18th September!

Open Studios Day 4

Day 4, second blog post, wonky I know! Anyway yesterday I blogged about how I had cut all the glass for the mermaid window, today I have painted on the details and got it all in the kiln. I use kiln fired glass paints which come in a powder form, you mix them with gum arabic and water to make a paste and then get going. Its a devil to work as it dries to a powder very quickly and then can not be over painted or touched up, you need to make smooth fluid lines from the off and have a very clear design to work from and have beautifully prepared glass and design….needless to say I am just at the start of this adventure, but I am getting the hang of it slowly! The window details are heavily inspired by one of my children’s favourite books, Jinny Ghost (by Jane Ray and Berlie Doherty). A strange beautiful story about a ghost who transforms nightmares into exciting adventure dreams. The kids love the story, I love the illustration!

This slideshow requires JavaScript.

We had a good day today with 5 visitors so far, we have an hour left, so who knows how many more (last year an entire evening class turned up at 7.30)

 

 

 

A special commemorative piece

I have just finished a very special piece for a family who have had to cope with the horrible loss of 4 babies. If I am honest I found it quite hard to get started on the panel as I am a mother myself and the reality of such loss is quite overwhelming. However, meeting the clients to discuss the options really helped and I hope they are pleased with the finished design. 

The brief was to incorporate the children’s names and the motifs of tear drops and butterflies. The clients chose the glass and we tried to incorporate the children’s birth stone colours.

I decided on a free flowing shape edged with bubbles and with a sense of movement. The clients decided on a flow of stars and butterflies running through the panel and they love colour (I understand their house is very colourful and original!)

Firstly I cut the glass, then painted the design, I initially wanted the paint work to be subtle but it was getting lost in the streaky cathedral glass so I went for strong, simple lines so the design would work at a distance. Once fired I leaded up the panel, as I didn’t use the traditional right angle straight line template I had to use a lot of nails and a bit of ingenuity to create the shape.

I really hope that the family like the piece and that it honours the memory of the children and helps them move into the future.

Happily the family includes children who are very much alive and well and doing their bit for charity; have a look here if you would like to help him raise money for charity www.justgiving.com/Charlie-Millard

Please excuse my photographs, my camera seems to be loosing the ability to focus!     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Fishy sky lights

I have just got back from installing 2 sky light panels to a wonderful apartment over looking the sea in Sidmouth

. My client’s dislike of their dull velux windows in the kitchen of their open plan living area

led them to contact me. The apartment is a large, light modern

building and I took inspiration for the designs from the artwork and pottery around the home. I did a range of designs, from beach huts reflecting some paintings in the lounge to fish inspired by some fabulous pottery.

I have used a very limited pallet of colours in the panel, but there are 10 different types of glass used in the panel in total as I have used a wide range of textures and translucencies. Some of the glass is almost opaque and uses lovely hand drawn yellow/orange and light blue glass and some has quite a deep textured pattern (glass makers call this a hammered surface) the range of textures will make wonderful coloured reflections on the floor and walls. Each fish has an eye made of white/black flashed glass which I have etched with an etching pen and acid etching creme which I have then stuck to the surface of the glass with glass adhesive to give an extra sense of depth and a playful touch.  The panels are fixed to the inside of velux windows with special stained glass fixing clips especially designed for this job and the windows have really lifted and brightened the space without overwhelming the room. Special thanks to my Dad (as usual), who very kindly fitted them for me!

Getting stuck into something big!

Way back in Autumn 2010 I started discussing a large window commission to be fitted into a double glazed unit for a family in Cambridgeshire, first the glazer was busy, so they missed their slot with me and since then I have been flat out with other projects. They have been very patient and finally I have made a decent start on their piece!

The brief was for a design based on their favourite spot, Crackington on the North Devon coast to fill a large window looking onto a large porch/conservatory from the dining area of their home and bring some colour into their house.  As soon as I saw the place sketching out designs was very straightforward, it is a gorgeous spot and I hope I can capture the mood of the scenery there. I always try to capture the spirit of a location, photo-realism is not my aim. The design was agreed last year and then put on the back burner, which gave me a little bit of an artist block when I came to start cutting the glass, I knew the landscape needed a border but what that border should be has been alluding me for sometime! However, whilst looking into the shell framed mirror in my bathroom today inspiration finally came and I rushed off to my workshop to get going. The border is to be made entirely of different textured clear glass with lots of acid etched shells, seaweed and other sea life and today I painted all the PVA glue onto these pieces to act as a resist to the acid and acid etched in the flowers and grasses to the hillside in the foreground of the landscape.

It is a big panel and I have a small workshop, so I had to stand on a bar stool to get a shot of the whole panel! The colours of the glass do not show up well or true on the white background of the cartoon, but you can get a rough idea. Anyway, there are some photos of the panel so far, painting on the designs and acid etching them.

This slideshow requires JavaScript.


I am a stained glass artist working in Exeter and a busy mum of 2; trying to carve a path through the tide of washing and children's toys that stands between me and making beautiful things.

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 54 other followers

Folksy

Etsy mini store

Flickr Photos

Twitter Updates

Bottle Top Rock Pools

small recycled stained glass heart

Large recycled stained glass hearts

Mixed Media Mosaics using waste glass and old costume jewelery

boats in the harbor

Moroccan Panel

Brays Torr from the River lydd

art deco fish

paperblog

July 2020
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
2728293031  

%d bloggers like this: