Today was my scheduled day to finish a large panel I have been working on for (all stages of it being made and details are on previous post, click here), so I have spent the day polishing and finishing the details of the etching with an electric etching pen. I always do the pen etching right at the end as I don’t like the black stove polish to get stuck in the grooves of the glass. This is a slightly risky practice though as if there is a weak point in the glass the vibrations of the etching pen can crack it and just as I was finishing the last piece of etching on the border disaster struck, CRACK! Thankfully it was only a very small piece of the border and I was able to replace the small pane of glass quickly, in order to take a couple of photos in the fading light and it will be delivered to its new home on Sunday where it will be fitted into a double glazed unit. Hopefully I will get some better photos of it soon. The border is made up of clear glass with seaside motifs, including acid etched shells and molded glass with seaweed patterns. The main body of the panel is made from a mixture of different glass including spectrum, cathedral and wispy glass. The colours reflect the greens and purples of the hills around North Devon and the acid etching has come out very well in the main panel and the borders.
I am also really pleased to announce that I have been chosen as one of 5 Devon Artist Network emerging artists to recieve a bursary to pay for half of Devon Open Studios this year, which is timely as the family who commissioned this window saw my work in last years brochure!